At Our Edges, unpacks our physical manifestations of loss and disruption. We examine how the initiations and pathways in the body and its physicality respond to abrupt change, impeding energetic shifts, and barrages of overwhelming stimuli. Dancers examine energetic tensions and relationships between bodies, while carrying, caring, and manipulating those around them. The work ruminates on existence and the absence of, while centering around a community of movers that work in unison, in pairings, and as a community to preserve the value that each body brings to the space. Movement vocabulary borrows from tasks of preparation and physical ritual- corporeal manifestations explore internal darkness, thorough freedom/release, and a pursuit of refuge, comfort, and solace.

Long time collaborators of dropshift contribute to the work. Luke Gullickson composes an original score, Collin Bunting designs costume and textile pieces, and Richard Norwood acts as lighting designer and technical director. Nadia Oussenko’s dance film,Lustre, is inspired by the physical content of At Our Edges, and offers audiences a series of film vignettes rich with natural images and narratives that connect our existence to the natural world and its elements.

projects

2019: NOOK: At Our Edges & Lustre

2019: NOOK: At Our Edges & Lustre

2018: Invitation No. 1

2018: Invitation No. 1

2017: The Remains

2017: The Remains

2016: FloatBrilliance

2016: FloatBrilliance

2015: Imposter/Contained

2015: Imposter/Contained

2014: Imposter/Malleable

2014: Imposter/Malleable